August Recap

So here’s what went down last month. I:

  • Attended GenCon as part of the Writers Symposium, where I moderated 8 panels, met and hung out with lots of great folks, and had a wonderful time. Also, I got to go on a small private tour of the Ray Bradbury Archives and was able to both touch his writing desk and hold his (replacement) Emmy for The Halloween Tree.
  • Started a Patreon. There’s free content, there’s paid content, there’s all sorts of content!
  • Went down to local festival Pop!-Con and had a great time. Sold books, talked to folks, and met a tiny owl named Galadriel who had apparently ridden against her will from Nebraska to North Carolina trapped in the front grill of a semi. That’s one tough bird.
  • Got published in issue 1o of legendary noir magazine Dark Yonder with my first true non-supernatural noir story, “Competitive Advantage”. I’m pretty sure that’s also the only piece of fantasy baseball-themed noir ever written, much less published.
  • Set up a couple of talks in New York State for September, one at RPI and one in Utica.
  • Agreed to speak at IGDC in Chennai, India in November.
  • Did the launch party for The Video Game Writer’s Guide to Surviving an Industry That Hates You at Yonder Cocktail Bar in beautiful Hillsborough, NC, Had a full house of wonderfully supportive friends and readers, and I am thrilled with how it went.
  • Launched The Video Game Writer’s Guide to Surviving an Industry That Hates You to what is apparently a really strong audience response. Last I checked, it was the #1 New Release in Game Design at Amazon, and was top 10 (as high as #2) in one specific category and top 50 in two others.
  • Finally got the ongoing piddling refrigerator saga dealt with.
  • Attended and sold books at legendary local music festival ProgDay, where I got to hang out with, among other people, the guy who’s played keyboards for Renaissance for the last 8 years.

Pretty sure there was other stuff in there, but I think that’s a good start.

Now, deep breath, and then September.

Mo*Con News

I am thrilled to announce that I will be a Special Guest at this year’s Mo*Con, the annual gathering of talented and mighty folks hosted by writer, Afrofuturist, and general man about town Maurice Broaddus. Details of the show can be found here, if you’re interested in attending!

 

 

Five For Writing – Maurice Broaddus

If you don’t know who Maurice Broaddus is, you haven’t been paying attention. An award-winning writer and Afrofuturist, he is as prolific as he is acclaimed. Equally adept at horror, fantasy and science fiction, he is the author of the upcoming Sweep of Stars. And now, it is my pleasure to give you Five For Writing with Maurice Broaddus:

1-How exactly does one pimp an airship?

I got one word for you: spinners.

It’s all about massive spinners.

2-What role do you see yourself playing in the Afrofuturism movement going forward?

I’m just happy to be a part of the conversation. Right now, I’m all about the intersection of the art being the vision casting and the community putting those visions into practice. And then that practice creating new art and vision.

3-You started in horror as “The Sinister Minister” and have gradually transitioned to science fiction. What led to the change, and are you ever going back to horror?

Therapy.

I realized that I was using horror to process my anger. Anger at all the evil in the world, the history of brutality against my people, all of the oppressive systems. Science fiction became me giving myself permission and room to dream about possibilities. So I was writing from a different mental and spiritual place (future hope).

That said, I have two horror stories coming out this soon, one in Weird Tales Magazine and the other in Classic Monsters Unleashed. Turns out, there’s still room for me to be angry about stuff.

4-Religion is a strong theme in your life. How do you see it affecting your fiction?

Basically, I believe we’re in a Story, written by an Author, who is wooing us to connect with Him.  It’s a tale of people, who were created (in God’s image), meant for great things (to join in with that Author in a mission to redeem the world), who sometimes encounter things which interfere with their journey:  sometimes themselves, sometimes others, and sometimes An Other.

Faith is never easy and I tend to have more questions than answers.  I think that’s the most critical part of anyone’s spiritual journey, walking that line of tension between holding on during times of doubt and questioning.  I think one of the best ways to explore that tension is in story. (The Bible does it too:  the Book of Job was probably the first book written and it’s all about faith, doubt, and frustrated questions.  And the first postapocalyptic story I encountered.)

I like to think that I write from a place of faith in practice. I was volunteering at a homeless teen ministry called Outreach Inc. That became the inspiration for my first novel trilogy, The Knights of Breton Court, a retelling of the King Arthur mythos through the eyes of homeless teens in Indianapolis. I guess you could say that in some ways, I’m working out my own spiritual journey in front of my readers. And sharing my nightmares.

5-You do a lot of community outreach. How is your writing bound up in that?

For a long time I struggled with the notion that “I’m only a writer, what can I do?” and, if I’m completely honest, used it as an excuse to do nothing. Art lifts community. Story creates identity. If we don’t control our own narratives, others certainly will. Our communities are more self-sufficient, more capable, than the dominant narrative wants to portray. Through art, through writing, we can catalog the positive things happening in our neighborhoods, we can make the invisible visible, and be the change we want to see. Through art, we resist.

These days, I am the Kheprw Institute’s resident Afrofuturist. Basically, think of it as strategic foresight planning through an Afrofuturist lens; visioning rooted in black history and culture to create a vivid picture of what the world could look like. Afrofuturism is the marriage of my faith, my social practice, and my writing. To me it looks like dreaming alongside community, highlighting my neighbors and their work (through a magical lens, for example, Ache of Home. The dreaming impacts the work, the work impacts the writing, the writing impacts the dreaming, and so it goes. I can’t wait to see what folks think of my next novel, Sweep of Stars, because these days, I’m dreaming of the stars.

Huge thanks to Maurice for taking the time to answer the questions! You can find him online at his website.

Wishing a very happy holiday season to all and sundry, whatever you celebrate. I’ll be back next week with another interview, and things will keep rolling into the new year!

Five For Writing

A long time ago, back when giant ground sloths roamed the earth and you had to code HTML by hand to update your web page. I used to run a series of interviews with writers on this site. The series was called Five For Writing, because I cannot resist a pun and a sports joke at the same, and featured short, five question interviews with writers of fiction, video games, and tabletop RPGs. It ran for a couple of years and I had a lot of fun doing it, but the upkeep became onerous and I let it lapse.

But what goes around comes around, and it’s time for Five for Writing to return. I’ll be starting the series back up in the very near future. Interviews are already lined up with writers like Jeff Strand, Anna MegillLucien Soulban, Maurice Broaddus, Justin Achilli and more. So once again you’ll get answers to all sorts of questions from all sorts of writers. I’m really looking forward to it. I hope you are, too.