Five For Writing – Professor Christopher McGlothlin

Do you know what a ghost show is? If you don’t (or even if you do), you’re in for a treat, as today’s interview is with the head honcho of Ghost Show Press, Professor Christopher McGlothlin. The mind behind the recent book of essays Transgressive Horror: Reflections on Scare Films that Broke the Rules (which, full confession, contains my take on Curse of the Demon), he’s just getting revved up. Here, then, is his Five For Writing!

1-What’s a Ghost Show, and why did you name your press after it?
Ghost shows were “A Special Weird Attraction!” that came to your local drive-in movie theatre, promising “Monsters Abduct Girls From Their Seats,” “Man Buried Alive for a Week Dug Up at Showtime,” “The Beatles Spiritually Materialize,” and a “Triple Horror Movie Shock Show!” Anyone who wouldn’t buy a ticket to that is made of sterner stuff than I.
What paying customers actually got was carnies in rubber masks carrying off planted female accomplices, cheap stage magic tricks, and decaying 16mm prints of decades-old Poverty Row films. It was a total con, but the willing marks got what they really came for: a wild burst of pure fun and imagination that filled their world with more wonder than they knew.
That tradition is rich in my rural Virginia blood, and when it came time to launch my publishing venture, I realized ghost shows are the perfect metaphor for what I want to do. Ghost Show Press is just me and super-talented folks I vibe with writing books for everyone who still wants that same pure fun and imagination. Although we won’t put on monster masks and bury anyone alive. Probably.
2-Why did you pick the subject of transgressive films to be your meat and potatoes for Ghost Show Press?
I have always wanted to write about how cinema doesn’t have to be objectively good to be worthy of discussion — just innovative and interesting. The Everyone’s Gone to the Movies essay collection series was born from that. There are many, many published works telling you why Psycho (1960) is a classic film. Myself, I prefer to get into how The Wizard of Gore (1970) and Audition (1999) are like nothing else you’ll ever see — and why people should see them.

3-What inspired the first book in the series, Transgressive Horror?
I’d been thinking of doing a book like TH all by myself since back when I was a much younger, energetic fellow, but life and other paid work kept getting in the way. Then in the fall of 2020, my dear friend James Lowder (the legendary writer and editor) casually mentioned he had an unpublished essay on Witchfinder General (1968) in his files. That’s when the cartoon lightbulb went off, and I realized I could finally do TH by leveling up to publisher & editor, writing only as much as I cared to, and asking other creators (first-time writers and veteran scribes) to join in. And thus did TH arise from the slab, ready to run amok in the world.

4-Are there any films you wish had made the book that didn’t?
I’m a fan of pioneering director Stephanie Rothman, and always want to boost the signal on her work (like now!); the underrated The Velvet Vampire (1971) in particular. I offered TVV to every writer who asked for suggestions, and nearly wrote about it myself, to no avail.
Given the genre, we’re fairly obligated to do Transgressive Horror 2 at some point, and will hopefully get to TVV in the sequel.

5-What’s next?

On April 27, 2022, Ghost Show Press launches its Kickstarter for Vol. 2 in the Everyone’s Gone to the Movies series, Subversive Sci-Fi: Reflections on Futuristic Films That Broke the Rules. We’re very blessed to have nearly the whole team back from Vol. 1, as well as some fabulous new additions.

Not sure of the exact date, but at some point my farewell to tabletop gaming industry will be released: The History of Sentinel Comics, the true story of everyone’s favorite imaginary publisher. It’s co-written with the amazing Darren Watts, and published by the greater folks at Greater Than Games. Darren is supremely gifted, and with GTG I was never treated better as a freelance writer. It’s a funny, obsessively detailed, and affectionate ode to everyone who loves comic books, and the best possible way to bid adieu to my time in tabletop games.

Big thanks to the Professor for answering these questions, and best of luck with the sci-fi book and beyond! Tun e in next week, when I’ll be talking to Splatterpunk Award nominee Thomas Clark. See you then!

Transgressive Horror

I’ve got an essay in the forthcoming book Transgressive Horror: Reflections on Scare Films That Broke the Rules. It’ll be out on Halloween if all goes well. My essay is on one of my personal favorite films, Night of the Demon, and it dives into some of the reasons I love it so.

Editor and Ghost Show Press maven Prof. Christopher McGlothlin, had this to say:

The Everyone’s Gone to the Movies series presents writers of diverse background and experience to share their knowledge, wit, smarts, fun, and passion about movies that stand out from the infinite digital choices; films that expand the boundaries of our minds and imagination. Cinema has an unmatched power to entertain and enlighten, and we invite our audience to join us: “Buy the ticket. Take the ride.”